I hope you are all having a good holiday season so far–this time of year always seems to blow up my schedule and make me stress like it’s my job, so I for one will be glad when it’s over!!
You may remember that last year, I decided to make a fancy-ass dress for my company’s holiday party. The dress code for this party is not black tie, as you may have expected from the nature of my dress. Rather, the only real stipulation is that people are not allowed to wear jeans. Clearly, I require only the flimsiest of pretexts to go full evening wear on my colleagues! Just before last year’s event, Vogue released V9160 in their holiday collection, and I instantly knew that it would be Next Year’s Outfit. It even made my epic Planning Post for this Fall/Winter!
I bought the fabric for this during the first quarter of the year but left any actual work on it until November–bad idea. 2 weeks before my event, it was clear that some major adjustments were needed; it was a slight scramble and I had to compromise my original vision, but I got it finished. All told, the final item is nice and I felt great in it!
From the back! (The back necklines are symmetrical–the lace on the right side ended up with more blank space at the top, which creates the illusion that they aren’t the same. Grrrr.)
Snow! It was also sleeting when we took these.
Note, if you will, the mirror images of the necklines–pretty proud of that one!
Without the sash, but now with more Derp Face!
Please excuse the skirt, which had been worn the night before to my party and needs to be re-pressed and re-clappered; I ironed out the “Butt, Meet Chair” wrinkles for you, though! (And yes, I did wear that lipstick to my work party! I also wore eye makeup and some jewelry for that event, but wasn’t about to put it back on for a quick photo session. Meh.)
The lace for the bodice was the first thing I found: it was everything I wanted, from color (Eggplant!!) to width (WIDE) to style (double scalloped, no beads, slight metallic thread usage, beautiful cording, and no tulle backing). It’s a Nicole Miller lace and I got it from Gorgeous Fabrics.
Next, I set about finding fabric for the trousers. I chose wool/silk gabardine because it has that sheen for evening, but would be easy to work with because it’s so stable. Mood had the perfect color, but I found a very-slightly-cheaper price at Fashion Fabrics Club, so I ordered from them. This was difficult, because their website uses different names for the colors vs. Mood’s site, and their depiction of colors was much less true-to-life than Mood’s. I ended up having to return the first cut I ordered–at my cost–and re-order another color. I never thought I’d have to say this, but I should have just ordered from Mood! In the end, I got the color I wanted and it really is THE SAME FABRIC that I swatched from Mood, so whatever, lesson learned.
My rayon bemberg for underlining the bodice came from Vogue Fabrics, who I heartily recommend. I ordered a color card first, which was a massively good choice: do that. My one beef with the experience comes down to color depiction on the site (which is soooo bad in the flesh tone section of colors) and the way they stack swatches and staple them down on the card. Once you remove the staple, you’d better not shuffle your swatches around because remembering what color is what will be impossible, especially given their awful color depiction online. Not that I know anything about that…okay, I totally did that. Luckily, I could search for the color names that I *thought* I was considering and find other sites that displayed them better. Once that was done, I settled upon…*drum roll*…Beige. Corpse-y, but it matches my skin well and doesn’t detract from the lace at all.
The bodice of this pattern is truly wonderful: I only needed to do 1 muslin to confirm the fit (I checked the length beforehand and added what was needed). I could probably have taken it in from the bust to the waist but I didn’t want to risk Hulking out of the lace because it was too snug! The sleeve caps are a great fit for the armholes, with hardly any easing required (and this lace takes easing very, very well). They are rather fitted sleeves though, so if you plan to make this pattern, be sure to check that! And one other thing to be aware of is that this bodice’s surplice neckline is rather…booby. Really rather booby. Like, checking-my-tits-every-time-I-move booby. If I was a busty gal, this would probably have required some adjusting on the pattern itself; as it stands, I’ve got more ribs than tits so I left it as-is and opted not to put a snap there or sew it closed. The pattern calls for small shoulder pads, which I omitted; my shoulders, in my opinion, support the garment well enough on their own.
You may have noticed that there is a skirt on this outfit rather than trousers. There were issues with the pants–despite 4 muslins and getting close to a good fit and being fairly sure about what final changes needed to be made, the fashion fabric behaved so much differently than muslin that it rendered the pants unwearable and unsalvageable. :’-( And since this fabric was pricey, I only bought a smidgen more than what I needed per the pattern envelope. To say that I was crushed would be an understatement: I so badly wanted the jumpsuit from the artwork! And the shape of the trousers was so flattering and beautiful, even in muslin. I was so distraught that I took a vintage cocktail dress to a local tailor to have it hemmed, just in case I needed to wear it to my event. (Hey: that skirt was 3 layers of silk chiffon PLUS a lining, and needed to go from Midi to Mini–I wasn’t about to do that shit myself, deadline or not.) Fortunately, I was able to get a pencil skirt out of my remaining yardage and make it work–truly a Christmas miracle! 😀
Said skirt was made from my skirt sloper/moulage than I made in a class with Nina last year. I knew the darts would probably never match with the bodice, so I cut the skirt out with 3″ side seam allowances; from there, I sewed the skirt darts and then pinned the pieces to the bodice to mark where my side seams needed to be sewn to match the bodice AND fit me. Quick and dirty, yes, but it worked! I hemmed the skirt to 18.5″ from waist to hem because I think that is a flattering length on me; I kept about 2″ of hem allowance, which I felt was appropriate for this fabric and the shape of the skirt. The length allowed me to not worry about a vent, either–yay! The hem was sewn invisibly by hand.
Hilariously, *before* I cut out the skirt, I had a hell of a time with the pattern piece for the sash! It is supposed to be cut on the fold, but I had not one lay plan at my disposal that would accommodate that on what was left of my material! So to recap, I had plenty of fabric to cut out an entire emergency skirt, but not to put the sash on the fold. O_O I made it with a center back seam and honestly, I doubt anyone would think less of the dress because of that! The sash itself is not very flattering on me from the back due to my narrow back waist and the straightness of the sash, but I love the effect in the front! It adds that extra element to make the dress look “Finished.” I always prefer a buffer of some sort in dresses with contrasting tops and bottoms with a waist seam, whether it’s a belt or a waistband inset or something like that, so I am glad I went ahead with the sash!
This pattern is fairly easy to put together–there aren’t very many pieces! But the lace obviously added some work because of how it needed to be underlined. I hand-basted both fronts and backs to their respective underlinings, which was great for getting the bodice put together. But it occurred to me the day before the party that I couldn’t take the basting stitches out of the surplices without replacing them somehow–the layers would separate and flap around! My solution was to prick-stitch along each surplice in my purple thread, taking care to come up through a section of lace so as to hide the stitching on the right side. It is utterly imperceptible from the outside as a result!
Wrong side of prick stitches on surplice neckline
Right side of the same section–can you find the stitches? xD
I didn’t have any real trouble sewing the lace; the cording got bulky quickly, as did any areas of heavier embroidery that got taken up in darts, but my machine handled it just fine. I used my straight stitch plate most of the time to prevent the feed from eating the lace, though! I used a Microtex 70/10 for the bodice by itself, and an 80/20 Universal for the wool/silk gabardine, as well as for joining the bodice and skirt together and inserting the zipper. The zipper, by the way, is longer than the pattern called for: 24″ vs. 22″. I made this decision when I was still planning on a trouser jumpsuit: due to the difference in my waist and hips, I needed more room to unzip and wiggle into the thing! This held true even with the skirt, so #noregrets. I had to call Wawak to order the zipper, because the colors on their website weren’t showing up very accurately and I had Very Serious Questions. Tanya (I think? It’s fuzzy now…) was able to understand what color I needed and give me accurate information about the choices they had; it turned out that the best match wasn’t even listed on their website in that length, but she hooked me up and I couldn’t be happier with the match.
This is a fantastic pattern, and I highly recommend it if jumpsuits are your thing. Just pick a drapey fabric for the trousers–or at least something with more drape than wool/silk gabardine!–and you’ll be okay! I would love to revisit this pattern another time and get my fantasy jumpsuit, but my next project will absolutely be something less stressful!
Remembered to get one pic on Saturday…3 drinks deep and on the way home, LOL.
This *felt* treacherous in those shoes…
“Talk to the fabulous lace-clad hand…”
Have you made a holiday outfit this year? If you’ve ever sewn with lace, how did it go?